The dance was given to Don by Mae Fraley, who found it in an "unnamed collection, British Museum, circa 1802."

Unfamiliar with dance cue terminology? Learn more here.

The music is Neuduetscher, edited for this recording by Don's son, affectionately known as "Shorty."

LS 333/334 Prompted by Don Armstrong/ flip instrumental

Formation: Duple Proper Contra. Note: In this waltz contra the space between the dancers in EACH LINE should be slightly greater, while the spacing between lines remains normal.


Intro: All bow to partners,

1- 4 Actives and the couple below make a right hand star,

5- 8 Same four left hand star,

9-12 Actives (both hands joined), in canter rhythm, 4 slides down center of set,

13-16 Actives slide two steps up the center, backing into place just below the couple with whom they made the stars, bow to each other on Meas. 4, (slide, slide, back-away, bow),

[It is very important that the inactive dancers, with slightly smaller steps, do exactly the same thing simultaneously, i.e., slide-up, slide-up, back-away, bow, making a spot for the actives to back into. Progression has now been made.]

17-20 All step toward partner, join R hands as they balance together and apart, (retain R hand hold) cross to other side passing R shoulders, end facing partner (together, touch -; apart, touch, -; cross, - , -; step, touch, -;) ,(This is NOT a box the gnat)

21-24 Repeat Meas. 17-20 using L hands/passing L shoulders to return to place,

25-28 All M cross, moving diagonally right to W who is just below their partner and turn her with R hands joined (shoulder high for the W, M palms up, NOT pigeon-wing), looking at each other and just far enough apart to dance the action comfortably and gracefully in 12 waltz steps,

[In Meas. 25-32 both turns are full around and both occur in the W's line]

29-32 All M then turn partners with L hands joined and using the same style as in Meas. 25-28 and return to their own line in a position to start the dance again with a new couple.

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